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Review Questions for Harry Potter and the Sorcerers Stone

Written By Monday, April 18, 2022 Add Comment Edit

Writer J. K. Rowling cites several writers as influences in her creation of her bestselling Harry Potter series. Writers, journalists and critics have noted that the books also have a number of analogues; a broad range of literature, both classical and modern, which Rowling has not openly cited equally influences.

This commodity is divided into three sections. The first section lists those authors and books which Rowling has suggested every bit possible influences on Harry Potter. The 2nd section deals with those books which Rowling has cited as favourites without mentioning possible influences. The third department deals with those analogues which Rowling has not cited either as influences or as favourites merely which others take claimed acquit comparison with Harry Potter.

Acknowledged influences [edit]

Ivan Akimov - Herakles on the crossroads. Greco-Roman mythology was a considerable influence on Harry Potter.

Rowling has never openly credited any unmarried author with inspiration, saying, "I haven't got the faintest idea where my ideas come up from, or how my imagination works. I'm just grateful that information technology does, because it gives me more than amusement than information technology gives anyone else."[ane] Nevertheless, she has mentioned a number of favourite authors as probable influences in her cosmos of Harry Potter. The works are listed roughly in gild of publication.

British folklore and mythology [edit]

Rowling has said, "I've taken horrible liberties with folklore and mythology, but I'one thousand quite unashamed about that, considering British folklore and British mythology is a totally bastard mythology. You know, we've been invaded by people, nosotros've appropriated their gods, nosotros've taken their mythical creatures, and nosotros've soldered them all together to make, what I would say, is one of the richest folklores in the globe, considering it's and so varied. And so I feel no compunction well-nigh borrowing from that freely, but adding a few things of my own."[two]

The Iliad [edit]

When an interviewer said that saving Cedric's body resembled the actions of Hector, Achilles, and Patroclus in the Iliad, Rowling said, "That'due south where it came from. That really, really, really moved me when I read that when I was 19. The idea of the desecration of a body, a very ancient idea... I was thinking of that when Harry saved Cedric's body."[3]

The Bible [edit]

A number of commentators accept drawn attention to the Biblical themes and references in J. K. Rowling's terminal Harry Potter novel, Harry Potter and the Deathly Hallows. In an August 2007 issue of Newsweek, Lisa Miller commented that Harry dies and so comes dorsum to life to save humankind, like Christ. She points out the title of the chapter in which this occurs—"King'south Cantankerous"—a possible innuendo to Christ'southward cross. Also, she outlines the scene in which Harry is temporarily expressionless, pointing out that it places Harry in a very sky-like setting where he talks to a father effigy "whose supernatural powers are accompanied by a profound message of love."[4] Jeffrey Weiss adds, in the Dallas Morn News, that the biblical quotation "And the last enemy that shall exist destroyed is expiry" (one Corinthians 15:26), featured on the tombstones of Harry'due south parents, refers to Christ'south resurrection.[5]

The quotation on Dumbledore'south family unit tomb, "Where your treasure is, your heart will be also", is from Matthew half dozen:21, and refers to knowing which things in life are of true value.[six] "They're very British books", Rowling revealed to an Open up Book conference in October 2007, "So on a very applied note Harry was going to notice biblical quotations on tombstones, [but] I think those 2 detail quotations he finds on the tombstones at Godric'southward Hollow, they (…) almost epitomize the whole series."[7]

Aeschylus and William Penn [edit]

Deathly Hallows begins with a pair of epigraphs, ane from Quaker leader William Penn's More than Fruits of Solitude and 1 from Aeschylus' The Libation Bearers. "I really enjoyed choosing those ii quotations considering ane is infidel, of class, and ane is from a Christian tradition", Rowling said. "I'd known it was going to be those 2 passages since 'Chamber' was published. I always knew [that] if I could employ them at the beginning of book seven and then I'd cued upward the ending perfectly. If they were relevant, then I went where I needed to get. They only say it all to me, they actually practise."[7]

The Pardoner'southward Tale [edit]

In a July 2007 webchat hosted past her publisher Bloomsbury, Rowling stated that The Pardoner's Tale of Geoffrey Chaucer's Canterbury Tales was an inspiration for a folktale, The Tale of the Three Brothers, retold by Xenophilius Lovegood in Harry Potter and the Deathly Hallows.[8] In the tale, three brothers outwit Death by magicking a bridge to cross a dangerous river. Decease, angry at being cheated, offers to give them iii gifts, the Deathly Hallows, as a advantage for evading him. The first two die as a result of the gifts granted to them, but the third uses his gift wisely and dies in his bed an sometime human. In The Pardoner's Tale, three rogues are told that if they await under a tree, they tin can detect a means to defeat Decease. Instead they find golden, and, overcome with greed, somewhen kill each other to possess information technology.[ix]

Macbeth [edit]

Rowling has cited William Shakespeare's Macbeth as an influence. In an interview with The Leaky Cauldron and MuggleNet, when asked, "What if [Voldemort] never heard the prophecy?", she said, "Information technology's the Macbeth idea. I absolutely adore Macbeth. It is perhaps my favourite Shakespeare play. And that'south the question isn't information technology? If Macbeth hadn't met the witches, would he have killed Duncan? Would whatever of it have happened? Is information technology blighted or did he make it happen? I believe he fabricated it happen."[ten]

On her website, she referred to Macbeth once again in discussing the prophecy: "the prophecy (similar the i the witches make to Macbeth, if anyone has read the play of the same name) becomes the catalyst for a situation that would never have occurred if information technology had not been made."[xi]

Emma [edit]

Rowling cites Jane Austen as her favourite author and a major influence. Rowling has said: "My mental attitude to Jane Austen is accurately summed up past that wonderful line from Cold Comfort Subcontract: 'One of the disadvantages of well-nigh universal education was that all kinds of people gained a familiarity with one'due south favourite books. It gave i a curious feeling; like seeing a drunken stranger wrapped in one's dressing gown.'"[1] The Harry Potter serial is known for its twist endings, and Rowling has stated that, "I have never set up a surprise ending in a Harry Potter volume without knowing I tin never, and will never, do it anywhere near as well equally Austen did in Emma."[1]

The Story of the Treasure Seekers [edit]

Rowling frequently mentions E. Nesbit in interview, citing her "very real" child characters.[12] In 2000, she said, "I think I identify with E Nesbit more any other writer", and described Nesbit's The Story of the Treasure Seekers equally, "Exhibit A for prohibition of all children's literature by anyone who cannot remember exactly how information technology felt to be a child."[1]

The Air current in the Willows [edit]

In a 2007 reading for students in New Orleans, Rowling said that the offset book to inspire her was Kenneth Grahame'southward children's fantasy The Wind in the Willows, read to her when she had the measles at age 4.[13]

Dorothy 50. Sayers [edit]

Rowling has besides cited the work of Christian essayist and mystery author Dorothy 50. Sayers equally an influence on her work, saying "At that place's a theory – this applies to detective novels, and so Harry, which is non really a detective novel, but information technology feels similar ane sometimes – that you should non take romantic intrigue in a detective book. Dorothy Fifty. Sayers, who is queen of the genre said – and and so broke her own rule, merely said – that there is no place for romance in a detective story except that it can exist useful to camouflage other people's motives. That'southward true; it is a very useful play a trick on. I've used that on Percy and I've used that to a caste on Tonks in this book, as a red herring. But having said that, I disagree inasmuch every bit mine are very character-driven books, and it'due south and so important, therefore, that nosotros see these characters fall in beloved, which is a necessary part of life."[14]

The Chronicles of Narnia [edit]

Rowling has said she was a fan of the works of C. S. Lewis equally a child, and cites the influence of his The Chronicles of Narnia on her work: "I establish myself thinking about the wardrobe route to Narnia when Harry is told he has to hurl himself at a barrier in King'southward Cross station – it dissolves and he's on platform Nine and Three-Quarters, and there'south the train for Hogwarts."[fifteen]

She is, yet, at pains to stress the differences between Narnia and her world: "Narnia is literally a different world", she says, "whereas in the Harry books yous go into a world within a globe that you can meet if you happen to belong. A lot of the sense of humor comes from collisions between the magic and the everyday earth. Mostly in that location isn't much humour in the Narnia books, although I adored them when I was a child. I got so caught upwardly I didn't recall CS Lewis was especially preachy. Reading them at present I detect that his subliminal message isn't very subliminal."[15] New York Times author Charles McGrath notes the similarity between Dudley Dursley, the obnoxious son of Harry's neglectful guardians, and Eustace Scrubb, the spoiled deviling who torments the primary characters until converted past Aslan.[16]

The Little White Horse [edit]

In an interview in The Scotsman in 2002, Rowling described Elizabeth Goudge's The Lilliputian White Horse as having, "maybe more than than whatsoever other book . . . a direct influence on the Harry Potter books. The author always included details of what her characters were eating and I remember liking that. Y'all may have noticed that I always listing the food being eaten at Hogwarts."[17] Rowling said in O that "Goudge was the only [author] whose influence I was conscious of. She always described exactly what the children were eating, and I actually liked knowing what they had in their sandwiches."[18]

The Sword in the Stone [edit]

Rowling as well cites the work of T. H. White, a grammer school teacher, and the author of the well-known children'due south classic saga, The Once and Future King, which tells the story of Male monarch Arthur of United kingdom of great britain and northern ireland, from childhood to grave. Perhaps the best-known volume from this saga is The Sword in the Rock (the first book) which was made into an animated motion picture by Walt Disney. Arthur (called Wart) is a small-scale scruffy-haired orphan, who meets the sorcerer Merlin (who has an owl, Archimedes, and acts, much similar Dumbledore, in the way of an "absent professor"[xix]) who takes him to a castle to educate him.

Equally author Phyllis Morris notes, "The parallels between Dumbledore and Merlin practise not end with the protection of the hero in danger ... In improver to both characters sporting long, flowing beards (and blue optics, according to T.H. White), Merlin was King Arthur's mentor and guide, as Dumbledore has been Harry's guide and mentor."[20] Rowling describes Wart as "Harry'due south spiritual ancestor."[21]

Manxmouse [edit]

Rowling is besides a fan of Paul Gallico, "especially Manxmouse. That's a bang-up book. Gallico manages the fine line betwixt magic and reality so skilfully, to the point where the well-nigh fantastic events experience plausible."[15]

Jessica Mitford [edit]

In the Scotsman interview, Rowling described civil rights activist Jessica Mitford as "my most influential writer", proverb, "I dear the style she never outgrew some of her adolescent traits, remaining true to her politics – she was a self-taught socialist – throughout her life."[17] In a review of Decca—The messages of Jessica Mitford, she went further saying, "Jessica Mitford has been my heroine since I was 14 years former, when I overheard my formidable great-aunt discussing how Mitford had run away at the historic period of 19 to fight with the Reds in the Spanish Civil War", and claims what inspired her about Mitford was that she was "incurably and instinctively rebellious, dauntless, audacious, funny and irreverent, she liked nothing better than a good fight, preferably against a pompous and hypocritical target."[22]

Other favourites [edit]

In 1999, while Rowling was on a tour of the U.s.a., a bookseller handed her a copy of I Capture the Castle by Dodie Smith, saying she would beloved it. The book became ane of her all time favourites. Rowling says that, "it is the vocalization of the narrator, in this example 17-year- sometime Cassandra Mortmain, which makes a masterpiece out of an sometime plot."[i] [23]

Besides in 1999, Rowling said in interview that she was a not bad fan of Grimble by Clement Freud, saying: "Grimble is ane of funniest books I've e'er read, and Grimble himself, who is a minor male child, is a fabulous grapheme. I'd dear to see a Grimble movie. As far as I know, these concluding two fine pieces of literature are out of print, and then if whatever publishers ever read this, could you lot please dust them off and put them back in impress so other people tin read them?"[24]

On a number of occasions, Rowling has cited her adoration for French novelist Colette.[25]

Rowling said that the expiry of Sydney Carton in Charles Dickens's A Tale of Two Cities, and the novel's final line, "It is a far, far improve thing that I practise than I take ever done; it is a far, far ameliorate rest that I get to than I take ever known", had a profound impact on her.[26]

In a 2000 interview with BBC Radio 4, Rowling revealed a deep love of Vladimir Nabokov'southward controversial book Lolita, saying, "There simply isn't enough time to talk over how a plot that could have been the most worthless pornography becomes, in Nabokov'due south hands, a bang-up and tragic love story, and I could exhaust my reservoir of superlatives trying to describe the quality of the writing."[27]

In an interview with O: The Oprah Magazine, Rowling described Irish gaelic author Roddy Doyle as her favourite living writer, saying, "I dearest all his books. I often talk about him and Jane Austen in the aforementioned breath. I think people are slightly mystified by that because superficially they're such dissimilar writers. Just they both take a very unsentimental approach to homo nature. They can exist profoundly moving without always becoming mawkish."[28]

Many of Rowling's named favourites decorate the links section of her personal webpage. The section is designed to await like a bookcase, and includes I Capture the Castle, The Little White Horse and Manxmouse, Jane Austen's Pride and Prejudice, Sense and Sensibility and Emma, a book of fairy tales by East. Nesbit, The Commitments and The Van by Roddy Doyle, ii books past Dorothy L. Sayers and a book by Katherine Mansfield.[29]

In January 2006, Rowling was asked past the Regal Society of Literature to nominate her top ten books every kid should read. Included in her listing were Wuthering Heights by Emily Brontë, Charlie and the Chocolate Factory by Roald Dahl, Robinson Crusoe by Daniel Defoe, David Copperfield by Charles Dickens, Hamlet by William Shakespeare, To Kill a Mockingbird past Harper Lee, Brute Farm past George Orwell, The Tale of Two Bad Mice past Beatrix Potter, The Catcher in the Rye past J. D. Salinger and Grab-22 by Joseph Heller.[30]

Analogues [edit]

There are a number of fictional works to which Harry Potter has been repeatedly compared in the media. Some of these Rowling has herself mentioned, others have been mentioned by Internet sites, journalists, critics or other authors. The works are listed roughly in order of cosmos.

The Pilgrim'southward Progress [edit]

John Granger sees Chamber of Secrets as similar to a morality play similar John Bunyan'southward The Pilgrim'southward Progress. He describes the climax, where Harry descends to the Chamber of Secrets to rescue Ginny Weasley every bit "the clearest Christian apologue of salvation history since Lewis's The Lion, the Witch, and the Wardrobe. … Using only traditional symbols, from the 'Ancient of Days' effigy as God the Father to the satanic ophidian and Christ-like phoenix ('the Resurrection Bird'), the drama takes u.s. from the fall to eternal life without a hitch."[31]

Wuthering Heights [edit]

In 2006, Rowling recommended Emily Brontë'south Gothic mail-Romantic Wuthering Heights every bit number one of the tiptop x books every child should read. In her essay, "To Sir With Love" in the book Mapping the World of Harry Potter, Joyce Millman suggests that Severus Snape, Harry Potter's morally ambiguous potions main, is drawn from a tradition of Byronic heroes such equally Wuthering Heights ' Heathcliff[32] and that chapter ii of Harry Potter and the Half-Blood Prince is reminiscent of the opening of Wuthering Heights when Heathcliff is coldly introduced and asks his retainer Joseph to bring up vino for him and Lockwood. Snape commands the nigh identical line to his retainer Wormtail, with Snape described similarly to how Emily Brontë described Heathcliff.

Tom Chocolate-brown's Schooldays [edit]

The Harry Potter series draws upon a long literary tradition of stories set up in boarding schools. This school story genre originated in the Victorian era with Tom Brown's Schooldays, by Thomas Hughes. Tom Brown'southward Schooldays laid down a basic construction which has been widely imitated, for instance in Anthony Buckeridge's 1950s Jennings books.[33]

Both Tom Dark-brown's Schooldays and Harry Potter involve an average 11-twelvemonth-sometime, better at sport than bookish report, who is sent to boarding school. Upon arrival, the boy gains a all-time friend (in Tom's case, East, in Harry's case, Ron Weasley) who helps him arrange to the new environs. They are set up upon past an arrogant bully – in Tom Chocolate-brown's case, Harry Flashman, in Harry's case Draco Malfoy. Stephen Fry, who both narrates the British audio adaptations of the Harry Potter novels and has starred in a screen adaptation of Tom Brown, has commented many times about the similarities between the two books. "Harry Potter – a male child who arrives in this foreign schoolhouse to board for the first fourth dimension and makes proficient, solid friends and also enemies who use bullying and unfair tactics", notes Fry, "then is cryptic about whether or not he is going to be good or bad. His pluck and his endeavour, loyalty, good nature and bravery are the things that deport him through – and that is the story of Tom Brown's Schooldays".[34]

The Lord of the Rings [edit]

Fans of author J. R. R. Tolkien have fatigued attention to the similarities between his novel The Lord of the Rings and the Harry Potter serial;[35] specifically Tolkien's Wormtongue and Rowling'southward Wormtail, Tolkien's Shelob and Rowling'south Aragog, Tolkien's Gandalf and Rowling'southward Dumbledore, Tolkien's Nazgûl and Rowling's Dementors, Old Homo Willow and the Whomping Willow and the similarities between both authors' antagonists, Tolkien'south Dark Lord Sauron and Rowling'southward Lord Voldemort (both of whom are sometimes inside their respective continuities unnamed due to intense fear surrounding their names; both oftentimes referred to as 'The Night Lord'; and both of whom are, during the fourth dimension when the main activeness takes place, seeking to recover their lost power after having been considered dead or at least no longer a threat).[36]

Several reviews of Harry Potter and the Deathly Hallows noted that the locket used equally a horcrux by Voldemort bore comparison to Tolkien'due south One Ring, equally it negatively affects the personality of the wearer.[37] Rowling maintains that she had not read The Hobbit until subsequently she completed the first Harry Potter novel (though she had read The Lord of the Rings as a teenager) and that any similarities between her books and Tolkien's are "Adequately superficial. Tolkien created a whole new mythology, which I would never merits to take done. On the other paw, I retrieve I take ameliorate jokes."[38] Tolkienian scholar Tom Shippey has maintained that "no modern writer of epic fantasy has managed to escape the mark of Tolkien, no matter how hard many of them have tried".[39]

Roald Dahl'southward stories [edit]

Many have drawn attention to the similarities betwixt Rowling'due south works and those of Roald Dahl, particularly in the depiction of the Dursley family, which echoes the nightmarish guardians seen in many of Dahl'south books, such equally the Wormwoods from Matilda, Aunt Sponge and Aunt Spiker from James and the Giant Peach, and Grandma from George's Marvellous Medicine.[40] Rowling acknowledges that at that place are similarities, just believes that at a deeper level, her works are different from those of Dahl; in her words, more "moral".[41]

X-Men [edit]

The Curiosity Comics superhero team the X-Men, created by Stan Lee and Jack Kirby in 1963, are similar to Harry Potter in their examination of prejudice and intolerance. Comic volume historian Michael Mallory examined the original premise of the comic, in which teenage mutants written report under Professor X to learn how to control their abilities, safe from fearful Human sapiens, and also battle less benign mutants like Magneto. He argued, "Think about [the comic] clad in traditional British academy robes and pointy hats, castles and trains, and the image that springs to mind is Hogwarts School for Witchcraft and Wizard[ry], with Dumbledore, Voldemort and the class struggle between wizards and muggles." He acknowledged that while the Ten-Men was for the longest time "a miracle that was largely contained in the realm of comic book readers equally opposed to the wider public [such as Rowling]", he argued "cypher exists in a vacuum, to the lowest degree of all popular culture. Just every bit the creators of X-Men consciously or unconsciously tapped into the creative ether of their fourth dimension for inspiration, so has the 10-Men miracle had an effect on the books and films that has since followed."[42]

The Chronicles of Prydain [edit]

Lloyd Alexander's five-book Prydain Chronicles, begun in 1964 with The Book of Three and concluding in 1968 with "The High King", features a young protagonist, an banana squealer keeper named Taran, who wishes to be a groovy hero in a world drawn from Welsh mythology. Entertainment Weekly cited Lloyd Alexander as a possible influence on Rowling when it named her its 2007 Entertainer of the Year.[43] When Alexander died in 2007, his obituary in New York Magazine drew many comparisons between Harry Potter and Prydain and said that "The High King is everything we desperately promise Harry Potter and the Deathly Hallows will be."[44]

The Dark Is Rising [edit]

Susan Cooper'southward Dark Is Rising sequence (which commenced with Over Bounding main, Nether Stone in 1965 and now more commonly bound in a single volume) accept been compared to the Harry Potter series. The 2d novel, too called The Dark Is Ascension, features a young male child named Will Stanton who discovers on his eleventh altogether that he is in fact imbued with magical power; in Will's case, that he is the last of the Old Ones, beings empowered by the Low-cal to battle the Dark. The books open in much the aforementioned way, with Will finding that people are telling him strange things and that animals run from him.[45] John Hodge, who wrote the screenplay for the picture show adaptation, entitled The Seeker, fabricated substantial changes to the novel's plot and tone to differentiate it from Harry Potter.[46]

A Wizard of Earthsea [edit]

The basic premise of Ursula Yard. Le Guin's A Wizard of Earthsea (Parnassus, 1968), in which a male child with unusual aptitude for magic is recognised, and sent to a special school for wizards, resembles that of Harry Potter.[47] On his kickoff solar day, Ged encounters ii other students, one of whom becomes his all-time friend, and the other, a haughty aristocratic rival. Ged later receives a scar in his struggle with a demonic shadow which can possess people. At the beginning of his journey, he is overconfident and arrogant, simply afterwards a terrible tragedy caused by his pride, is forced to rethink his ways, and afterward becomes a very respected magician and headmaster, much similar Albus Dumbledore. Le Guin has claimed that she doesn't feel Rowling "ripped her off", but that she felt that Rowling's books were overpraised for supposed originality, and that Rowling "could take been more gracious nigh her predecessors. My incredulity was at the critics who found the get-go book wonderfully original. She has many virtues, only originality isn't one of them. That hurt."[48]

The Worst Witch [edit]

Many critics have noted that Jill Murphy's The Worst Witch series (first published in 1974 by Allison & Busby), is set in a school for girls, "Miss Cackle'southward University for Witches", reminiscent of Hogwarts.[49] [50] The story concerns an awkward pupil at a boarding-school for witches, who faces a scheming rival student. Her professors include a kindly and elderly headmistress and a bullying, raven-haired potions teacher.[51] Murphy has commented on her frustration at constant comparisons between her work and Harry Potter: "It's irritating … everyone asks the aforementioned question and I even become children writing to inquire me whether I mind about Hogwarts and pointing out similarities. Even worse are reviewers who come across my books, or see the Tv series, and, without taking the trouble to find out that it's now over quarter of a century since I wrote my kickoff book, brand pointed remarks about 'clever timing' – or say things like 'the Worst Witch stories are not a million miles from JK Rowling'south books'. The implications are actually quite insulting!"[52]

Magic in the Mist [edit]

The grapheme of Harry Potter is similar to Margaret Mary Kimmel's character Tom in Magic in the Mist (1975)[53]—a boy who tries to larn magic, befriends a dragon, and has a snake, badger, and raven as his friends. The illustrations in the book bear a close resemblance to those that would be drawn for Harry Potter.[54] [ unreliable source? ]

Star Wars [edit]

The Harry Potter series shares many similarities with George Lucas'due south Star Wars with respect to master characters, especially heroes and villains, every bit well as story plotlines.[55] [56] Scholar Deborah Cartmell states that Harry Potter 's story is based as much on Star Wars as it is on any other text.[57] The life of Harry Potter, the main hero of the series, parallels that of Luke Skywalker, who is the master hero of the Original Star Wars trilogy with both characters living dull and ordinary lives until a later historic period when they are recruited past an older mentor. Harry Potter trains to go a sorcerer at his tardily childhood and mentored by Albus Dumbledore in facing his destiny and enemy Lord Voldemort; whereas Luke Skywalker trains to become a Jedi at his early on adulthood and is mentored by Obi-Wan Kenobi in facing his destiny and enemy Darth Vader (also known as Lord Vader).[58] Both characters were also brought at infancy to their foster families directly by their future mentors.

The main villains of both the franchises also share many similarities. Tom Riddle was in one case also a student of the hero's mentor, Dumbledore at Hogwarts, also studying to be a sorcerer before he turned evil and transformed into Voldemort. Likewise, Anakin Skywalker was also a student of the hero's mentor, Obi-Wan Kenobi with the Jedi Social club grooming to be a Jedi Knight earlier he turned to the dark side and transformed into Darth Vader.[59]

The mentors of the main heroes too share many parallels. Both also mentored the main villain of their stories earlier they turned bad and betrayed their corresponding mentor. Both mentors were too somewhen killed when fighting their former students. Albus Dumbledore was betrayed by Tom Riddle before being somewhen killed off past him as Lord Voldemort (through Draco Malfoy and Snape). Obi-Wan was betrayed by Anakin Skywalker before eventually existence killed off past him as Darth Vader.[60] Both also voluntarily allowed themselves to be killed and brash the hero from across the grave.

Both stories have a "Nighttime Side" the followers of which are the villains of the story as well as their own followers/apprentices.[61] [62] [63]

Both stories likewise take a prophesied "Chosen One" who will destroy evil.[64] [65] In the Harry Potter series, it is Harry Potter who is the chosen one who would defeat the Dark Lord Voldemort. In Star Wars, information technology is presumed and appears to be Luke Skywalker, but actually revealed to be Anakin Skywalker as proclaimed in the Jedi prophecy who would destroy the Sith and bring balance to the Force. He does this subsequently being redeemed by his son, Luke Skywalker.[66] More than recent theories dissimilarity this and contend that Luke is indeed the chosen one who volition bring residual to The Force.[67]

Chrestomanci series [edit]

In Diana Wynne Jones' Overjoyed Life (1977), two orphaned children receive magical education while living in a castle. The setting is a world resembling early on 1900s Uk, where magic is commonplace.[68] "Wynne Jones has been publishing for more than 30 years, and young readers have noted parallels betwixt her books and Rowling'south creations. The 1982 book Witch Week, part of Wynne Jones' celebrated Chrestomanci series, features an owlish immature hero at a boarding school for children who accept suffered from social club'southward persecution of witches".[69] Diana Wynne Jones has stated in answer to a question on her webpage: "I think Ms Rowling did get quite a few of her ideas from my books – though I have never met her, and so I have never been able to ask her. My books were written many years before the Harry Potter books (Charmed Life was first published in 1977), so whatever similarities probably come from what she herself read as a child. Once a book is published, out in the globe, it is sort of common holding, for people to take ideas from and employ, and I think this is what happened to my books."[68]

Discworld [edit]

Earlier the arrival of J. One thousand. Rowling, Great britain'south bestselling writer was comic fantasy writer Terry Pratchett. His Discworld books, showtime with The Colour of Magic in 1983, satirise and parody common fantasy literature conventions. Pratchett was repeatedly asked if he "got" his idea for his magic college, the Unseen University, from Harry Potter 'southward Hogwarts, or if the young wizard Ponder Stibbons, who has nighttime hair and glasses, was inspired past Harry Potter. Both in fact predate Rowling's work by several years; Pratchett jokingly claimed that he did steal them, though "I of class used a fourth dimension car."[70]

The BBC and other British news agencies emphasised a supposed rivalry between Pratchett and Rowling,[71] merely Pratchett said on record that, while he did non put Rowling on a pedestal, he did not consider her a bad writer, nor did he green-eyed her success.[72] Claims of rivalry were due to a letter he wrote to The Sunday Times, well-nigh an article published declaring that fantasy "looks astern to an idealised, romanticised, pseudofeudal globe, where knights and ladies morris-trip the light fantastic toe to Greensleeves".[73] Actually, he was protesting the ineptitude of journalists in that genre, many of whom did not research their work and, in this instance, contradicted themselves in the same article.[74]

Ender's Game [edit]

Science fiction author Orson Scott Menu, in a fierce editorial in response to Rowling'south copyright lawsuit against the Harry Potter Lexicon, claimed that her exclamation that she had had her "words stolen" was rendered moot by the fact that he could draw numerous comparisons between her books and his own 1985 novel Ender's Game; in his words,

A young kid growing upwards in an oppressive family state of affairs suddenly learns that he is one of a special class of children with special abilities, who are to be educated in a remote grooming facility where student life is dominated by an intense game played by teams flying in midair, at which this kid turns out to exist exceptionally talented and a natural leader. He trains other kids in unauthorised extra sessions, which enrages his enemies, who attack him with the intention of killing him; but he is protected by his loyal, bright friends and gains strength from the love of some of his family members. He is given special guidance by an older homo of legendary accomplishments who previously kept the enemy at bay. He goes on to become the crucial figure in a struggle against an unseen enemy who threatens the whole world.[75]

Immature Sherlock Holmes [edit]

Chris Columbus, who directed the first two Harry Potter moving picture adaptations, has cited the 1985 picture show Immature Sherlock Holmes, which he wrote, equally an influence in his direction for those films. "That was sort of a predecessor to this movie, in a sense", he told the BBC in 2001, "It was near 2 young boys and a daughter in a British boarding school who had to fight a supernatural force."[76] Scenes from Immature Sherlock Holmes were subsequently used to bandage the start Harry Potter film.[77] On 3 January 2010, Irish gaelic announcer Declan Lynch (writing in The Sunday Independent) stated that "there's more than than a hint of young Sherlock evident in Harry".[78]

Troll [edit]

The 1986 Charles Band-produced low-budget horror/fantasy motion-picture show Troll, directed past John Carl Buechler and starring Noah Hathaway, Julia Louis-Dreyfus and Sonny Bono, features a graphic symbol named "Harry Potter Jr." In an interview with M. J. Simpson, Band claimed: "I've heard that J. Yard. Rowling has acknowledged that maybe she saw this depression-budget movie and mayhap it inspired her."[79] However, a spokesman for Rowling, responding to the rumors of a planned remake of the flick, has denied that Rowling ever saw information technology before writing her volume.[eighty]

Rowling has said on record multiple times that the name "Harry Potter" was derived in part from a babyhood friend, Ian Potter, and in part from her favourite male name, Harry.[81] On xiii April 2008, The Mail on Sun wrote a news article claiming that Warner Bros. had begun a legal action against Buechler; nonetheless, the story was denied and lawyers for Rowling demanded the article exist removed.[82]

On fourteen April 2008, John Buechler's partner in the Troll remake, Peter Davy, said about Harry Potter, "In John's opinion, he created the start Harry Potter. J.K. Rowling says the idea just came to her. John doesn't think so. There are a lot of similarities between the theme of her books and the original Troll. John was shocked when she came out with Harry Potter."[83]

Groosham Grange [edit]

Groosham Grange (first published in 1988), a novel by best-selling British author Anthony Horowitz, has been cited for its similarities with Harry Potter; the plot revolves around David Eliot, a teenager mistreated by his parents who receive an unexpected call from an isolated boarding schoolhouse, Groosham Grange, which reveals itself every bit a school for wizards and witches. Both books feature a teacher who is a ghost, a werewolf character named after the French word for "wolf" (Lupin/Leloup), and passage to the school via railway train.[84] Horowitz, nonetheless, while acknowledging the similarities, just thanked Rowling for her contribution to the development of the young adult fiction in the UK.[85]

The Books of Magic [edit]

Fans of the comic volume serial The Books of Magic, past Neil Gaiman (first published in 1990 by DC Comics) take cited similarities to the Harry Potter story. These include a dark-haired English language boy with glasses, named Timothy Hunter, who discovers his potential as the nearly powerful wizard of the age upon being approached past magic-wielding individuals, the first of whom makes him a gift of a pet owl. Similarities led the British tabloid paper the Daily Mirror to claim Gaiman had fabricated accusations of plagiarism confronting Rowling, which he went on the tape denying, maxim the similarities were either coincidence, or drawn from the same fantasy archetypes. "I thought we were both just stealing from T.H. White", he said in an interview, "very straightforward." Harry Potter and Platform 9 iii/4 fifty-fifty appeared in the terminal issues of DC'due south long-running Books of Magic spinoff comic.[86] Dylan Horrocks, author of the Books of Magic spin-off Hunter: The Age of Magic, has said they should be considered as like works in the aforementioned genre and that both have parallels with before schoolboy wizards, similar the 2000 AD character Luke Kirby.[87]

Spellcasting series [edit]

The text adventure game Spellcasting 101: Sorcerers Get All The Girls (1990) is the first instalment of the Spellcasting serial created by Steve Meretzky during his fourth dimension at Fable Amusement. All the three games in the series tell the story of immature Ernie Eaglebeak, a bespectacled student at the prestigious Sorcerer University, as he progresses through his studies, learning the arcanes of magic, taking part in student life, occasionally saving the earth as he knows it. Each carve up game takes place during consecutive school years too, much similar the Harry Potter books.[88]

Wizard's Hall [edit]

In 1991, the writer Jane Yolen released a book called Sorcerer'southward Hall, to which the Harry Potter series bears a resemblance. The main protagonist, Henry (as well called Thornmallow), is a young boy who joins a magical school for immature wizards.[89] At the schoolhouse "he must fulfill an ancient prophecy and help overthrow a powerful, evil wizard."[90] However, Yolen has stated that "I'm pretty certain she never read my volume," attributing similarities to commonly-used fantasy tropes.[91] In an interview with the magazine Newsweek, Yolen said, "I always tell people that if Ms. Rowling would like to cut me a very big check, I would cash information technology."[92] Yolen stopped reading Harry Potter after the 3rd book, and has expressed dislike for the writing style of Harry Potter, calling information technology "fantasy fast food".[92] [93]

The Undercover of Platform thirteen [edit]

Eva Ibbotson'due south The Secret of Platform 13 (beginning published in 1994) features a gateway to a magical world located in King'southward Cantankerous station in London. The protagonist belongs to the magical earth only is raised in the normal earth past a rich family unit who neglect him and treat him every bit a servant, while their fatty and unpleasant biological son is pampered and spoiled.

Amanda Craig is a journalist who has written near the similarities: "Ibbotson would seem to have at least as skilful a case for claiming plagiarism as the American writer currently suing J. K. Rowling [i.due east. Nancy Stouffer], but different her, Ibbotson says she would 'like to shake her by the hand. I think we all borrow from each other as writers.'"[94]

Doris Crockford and the Flying Scotsman [edit]

In the first book, Harry meets a witch named Doris Crockford, who shares a name with real-life author of a book near the famous railroad train The Flying Scotsman, published in 1937. In Crockford's volume, the railroad train departs from Platform 10, Male monarch's Cantankerous Station, and goes on a magical adventure. It is believed that J. K. Rowling was inspired by Doris Crockford in using a character of the same name.[95]

See also [edit]

  • Legal disputes over the Harry Potter series

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Source: https://en.wikipedia.org/wiki/Harry_Potter_influences_and_analogues

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